Over the past few years, a wave of Saudi absurdist comedy has been migrating from YouTube to streaming. AlKhalat+ is its latest dispatch.
خلال السنوات الأخيرة، بدأ تيّار من الكوميديا الغرائبية السعودية بمغادرة موطنه على يوتيوب باتجاه منصات البث، الخلاط+ آخر إصدارات هذا التيار.
A look back at fifteen years of Mohamed Samy’s directing during the most prolific production era in Egyptian television.
In an age of bingeing and endless choice, Ramadan television still insists on waiting, communality, and a shared media reality.
What lies behind the polarized coverage of El Gouna Film Festival, beyond red carpet glamour and class critique?
Tunisian filmmaker Maïssa Lihedheb’s ‘Samra’s Dollhouse’ redefines power, desire, and the female gaze at GFF.
Fifty years after winning the prestigious Palme d’Or for his film ‘Chronicle of the Years of Fire’, Mohamed Lakhdar Hamina continues to be the gold standard for Algerian filmmakers.
Audiences have pointed out some subtle and not-so-subtle allusions between the Man of Steel film and what’s actually happening in Gaza.
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